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Boston Symphony Chamber Players Programs

  • Ozawa Hall interior from the stage, empty

    Recital Series: Boston Symphony Chamber Players

    Boston Symphony Chamber Players
    Anna Handler, conductor (Copland)

    Jessie MONTGOMERY Strum, for string quintet
    Carlos SIMON move it, for solo flute
    Carlos SIMON between worlds, for solo cello
    Carlos SIMON Giants, for wind quintet
    Traditional, Arr. Kevin SIEGFRIED Three Shaker Songs, for two sopranos
    COPLAND Appalachian Spring

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    Seiji Ozawa Hall, Lenox/Stockbridge, MA

  • Richard Svoboda and John Ferrillo perform Wanderings by Derek Bermel

    Boston Symphony Chamber Players | Boston, Symphony Hall, & the BSO in 1900

    Boston Symphony Chamber Players
    Earl Lee, conductor (Mahler) 
    Sasha Cooke, mezzo-soprano
    Randall Hodgkinson, piano

    LOEFFLER Timbres oubliés, for clarinet and harp
    KOECHLIN Two Nocturnes for flute, horn, and piano 
    SAINT-SAËNS Caprice on Danish and Russian Airs, for flute, oboe, clarinet, and piano 
    BEACH Three pieces for violin and piano
    MAHLER Songs of a Wayfarer (arr. SCHOENBERG)

    To parallel our celebrations of Symphony Hall’s 125th anniversary, frequent guest pianist Randall Hodgkinson joins the Chamber Players for a program featuring composers active at the time of the hall’s opening in 1900. Amy Beach and Charles Martin Loeffler were both prominent in Boston’s musical community at the turn of the last century. Charles Koechlin and Camille Saint-Saëns represent two generations of Parisian music, while Mahler (and his younger colleague Schoenberg) were both active in Vienna.

  • Profile shot of Boston Symphony Chamber Players musicians performing in Jordan Hall on 10/27/2024

    Boston Symphony Chamber Players | All-MOZART Program

    Boston Symphony Chamber Players
    Inon Barnatan, piano

    Divertimento for string trio, K.563
    Sonata in C for flute and piano, K.14
    Quintet in E-flat for Piano and Winds, K.452

    The Boston Symphony Chamber Players leans into the intimacy, lightness, and intricacy of Mozart’s chamber music. The cheery tunefulness of the Divertimento for string trio, K.563, Mozart's only completed string trio, blends sonata and serenade forms, illustrating Mozart's mastery of counterpoint and variation, with each instrument given an equal voice. The Quintet for Piano and Winds, K.452, which Mozart himself declared one of his finest works, showcases his evolving approach to the use of woodwinds in his music from supporting players to main characters.

  • Profile shot of Boston Symphony Chamber Players musicians performing in Jordan Hall on 10/27/2024

    Brahms, Coleman, and a World Premiere by Carlos Simon | E Pluribus Unum: From Many, One

    Boston Symphony Chamber Players
    Seong-Jin Cho, piano

    Valerie COLEMAN Rubispheres, for flute, clarinet, and bassoon
    Carlos SIMON New Work (world premiere; BSO commission)
    BRAHMS Piano Quartet No. 1 in G minor, Opus 25

  • Andris Nelsons and the BSO perform Shostakovich Symphony No. 8, 3.24.16

    Debussy, Salonen, and Chausson with Augustin Hadelich

    Boston Symphony Chamber Players
    Augustin Hadelich, violin

    DEBUSSY Sonata for flute, viola, and harp 
    Esa-Pekka SALONEN Memoria for wind quintet 
    CHAUSSON Concerto for Violin, Piano, and String Quartet

  • Profile shot of Boston Symphony Chamber Players musicians performing in Jordan Hall on 10/27/2024

    Boston Symphony Chamber Players | All-Stravinsky Program

    Boston Symphony Chamber Players
    Samy Rachid, conductor
    Actors

    STRAVINSKY The Soldier’s Tale

    Igor Stravinsky’s L’Histoire du soldat was born from the upheaval of war and revolution, a razor-sharp fable of fate and temptation with jagged rhythms and biting dissonances.