Kevin Puts

Pulitzer Prize- and Grammy-winning composer Kevin Puts has established himself as one of America’s leading composers, gaining international acclaim for his “plush, propulsive” music (The New York Times) and described by Opera News as “a master polystylist.” He has been commissioned by and performed with leading organizations worldwide, including the Metropolitan Opera, Philadelphia Orchestra, Carnegie Hall, Opera Philadelphia, and the Minnesota Opera, and has collaborated with world-class artists such as Renée Fleming, Yo-Yo Ma, Yannick Nézet-Séguin, and Marin Alsop, among others.

In March 2022, Puts’ fourth opera, The Hours, had its world premiere on the concert stage with the Philadelphia Orchestra under the baton of Yannick Nézet-Séguin and was hailed as a “historic event ... with a lush orchestration that hits you in the solar plexus” (The Philadelphia Inquirer). A fully stage production of The Hours premiered to sold-out houses at the Metropolitan Opera in November 2022, starring sopranos Renée Fleming and Kelli O’Hara and mezzo-soprano Joyce DiDonato. Variety called it "a stunning triumph." The opera's revival in May 2024 played to packed houses and marked the first instance in the Metropolitan Opera's history of a work returning the season after its premiere. Other highlights of 2022 included the West Coast premiere of The Brightness of Light featuring Renée Fleming and Rod Gilfry with the Los Angeles Opera Orchestra. Written for Time for Three, his triple concerto Contact had its world premiere in March 2022 with the Florida Orchestra and continues to receive performances worldwide. A recording of the piece by the Philadelphia Orchestra and conductor Xian Zhang was released on the Deutsche Grammophon album "Letters for the Future" and was awarded best contemporary classical composition at the 2023 Grammy Awards. Puts was named Musical America’s Composer of the Year in 2022.

Puts’ breakthrough opera Silent Night—for which he was awarded the 2012 Pulitzer Prize following its 2011 premiere by the Minnesota Opera—has been heralded as “remarkable” (The New York Times) and “stunning” (Twin Cities Examiner). In addition to the Pulitzer, Puts has received numerous honors and awards for composition. Since 2006, he has been a member of the composition faculty at the Peabody Institute and served as distinguished visiting composer at the Juilliard School in the 2024-25 academic year. He also returned to his role as director of the Minnesota Orchestra Composer’s Institute in 2025.