Bartók Bluebeard’s Castle
Boston Symphony Orchestra
Symphony Hall, Boston, MA
Karina Canellakis, conductor
Alisa Weilerstein, cello
Karen Cargill, mezzo-soprano
Nathan Berg, bass-baritone
Jeremiah Kissel, narrator
HAYDN Cello Concerto in C
Intermission
BARTÓK Bluebeard’s Castle*
*Concert performance; sung in Hungarian with English supertitles
Thursday evening's concert is supported by Alex Healy. Friday afternoon's performance by the vocal soloists is supported by a generous gift from the Ethan Ayer Vocal Soloist Fund.
Friday afternoon's performance by Alisa Weilerstein is supported by the May and Dan Pierce Guest Artist Fund.
Saturday evening's concert is supported by Mr. C. Thomas Brown.
Saturday evening's performance by Alisa Weilerstein is supported by Professor Paul L. Joskow and Dr. Barbara Chasen Joskow.
Scholar and writer Lucy Caplan will give the Friday Preview on February 9 at 12:15pm. Admission included with ticket.
Thursday's performance will end around 9:30pm, Friday's performance will end around 3:30pm, and Saturday's performance will end around 10pm.
Regretfully, baritone Johannes Martin Kränzle has had to withdraw from his performances this week in the role of Bluebeard in Bartók’s Bluebeard’s Castle due to illness. We are fortunate that bass-baritone Nathan Berg is able to sing the role in his place at very short notice.
Performance Details
Feb 9, 2024, 1:30pm EST
Featuring
Program Notes & Works
Cello Concerto No. 1
Haydn's charming, high-spirited Cello Concerto No. 1 is an early example of the Viennese Classical-era concerto.
Bluebeard's Castle
Written in 1911, Bartók’s only opera, Bluebeard’s Castle, was one of three stage works he composed in the 1910s, all with psychologically dark subject matter.