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Hans Graf spoke to Brian Bell after his first rehearsal on March 17th about Anton Bruckner and his 7th Symphony. Back at the WGBH studios, musical examples were added in to give you a real tour of the piece. If your not familiar with the music, its a great introduction, and if you know the Symphony well, you hear many insights behind Maestro Graf's interpretation.
Tuesday March 3rd, Alan Gilbert spoke about his program with the Boston Symphony, concentrating on the first BSO performances since 1992 of the Symphony No. 4 of Charles Ives. He explained to Brian Bell why he is using 2 conductors and the use of the etherorgan. Warning! Listening to this interview may compel you to attend this concert!
In between his first two rehearsals leading the Boston Symphony for his debut, Bernard Labadie spoke to Brian Bell about his concert program of January 15-17, 2009. Is Labadie an early music specialist changing the ways of the Boston Symphony? His thoughts might surprise you.
One summer at Tanglewood, Brian Bell spoke to Robert Spano about Mendelssohn's Italian Symphony. With Charles Munch's classic BSO recording illustrating the points, this feature serves as a conversation piece that unveils the musical and technical questions that face musicians and listeners.
After the final rehearsal on December 4th 2008 for the world premiere of the Elliott Carter Interventions, the composer, who turns 100 on December 11th, BSO Music Director James Levine and piano soloist Daniel Barenboim gathered in the soloists dressing room for a roundtable discussion of Elliott Carter's piece.
Friday afternoon, November 28th's performance is dedicated to the memory of Roger Voisin. In February of 1994, Roger Voisin sat down with Brian Bell to talk about his days with the Boston Symphony, and the feature that resulted became one of the most popular and requested of all.
Berlioz's Symphonie fantastique is discussed by WGBH'S Brian Bell. Seiji Ozawa returns to Symphony Hall to conduct this landmark piece.
The Carmina burana of Carl Orff caused a sensation when it was introduced in this country in 1954. Here was a piece that seemed to have no historical precedent. But it does, as this week's BSO concert with Sequentia makes evident. This feature by Brian Bell shows the influences that were in force when Carl Orff wrote Carmina burana beginning in 1934.
Do you have some doubts about Strauss' Symphonia Domestica? Let conductor Rafael Frühbeck de Burgos take you on a personal guided tour. He spoke with Brian Bell of WGBH Radio.
While it's not regarded as "thunderous" a Symphony as the Fifth, (except for the 4th movement of course), but there's much in the Beethoven Sixth Symphony to enjoy. WGBH's Brian Bell provides a stroll through the Pastoral Symphony.
The Manfred Symphony is the largest work of Tchaikovsky that could be construed as "unknown". Does it deserve to be overlooked? Judge for yourself after hearing this short introduction by Brian Bell of WGBH Radio.
Brian Bell speaks to Leon Kirchner about the musical language behind The Forbidden.
Every music director with the exception of William Steinberg conducted the Tchaikovsky Sixth frequently, even Erich Leinsdorf had difficulty staying away from the piece. Here is Brian Bell's analysis.
Sir André Previn's subscription concerts open with a world premiere: a BSO commission written by himself titled Owls. Though he had just a few minutes to look at the score before speaking with the composer last August, Brian Bell couldn't pass up the opportunity to speak to André Previn about it.
In November 1994, guest conductor James Levine and mezzo-soprano Anne Sophie von Otter took the BSO stage for a performance of Mahler's Das Lied von der Erde. They'll do it again on April 17, 2008. In preview of this performance, WGBH's Brian Bell offers this feature on the 1994 program.
In 1996, the BSO performed the Brahms Third Symphony. At the very same time, author Michael Steinberg was in town promoting his new book, The Symphony: A Listener's Guide. WGBH's Brian Bell took this as a sign. The result? This 18-minute conversation between Bell and Steinberg about Brahms's Third.
Schumann famously hailed Schubert's Symphony in C major, D. 944 for its "heavenly length." In this feature, Chicago Symphony Orchestra conductor Bernard Haitink deconstructs the score of what was to be Schubert's final symphony.
Chicago Symphony Orchestra conductor Bernard Haitink often performs with pianist András Schiff. In this interview, Haitink recalls their first meeting - and the joint concert that followed less than 24 hours later.
Retired musician Daniel Katzen began playing for the Boston Symphony horn section in 1979, and has been an active teacher and recitalist, as well as one of the great musicians of the Boston Symphony. Brian Bell provided this salute for him as he says farewell to the Boston Symphony in August 2008.
The Dvořák Seventh Symphony is a landmark in the composer's career. Its appearance after his preceding Symphony No. 6 marked the transition from a very good composer to an absolute master. Brian Bell shows why, and presents some quirky aspects of Dvořák's personality.
Just before the first rehearsal on Tuesday February 26th for his Symphony No. 8, William Bolcom spoke with Brian Bell about his latest work written for James Levine.
On Wednesday February 6th, Charles Dutoit spoke to Brian Bell about his Swiss compatriot Frank Martin, as well as the first work on this program Martin's "Petite symphonie concertante" for piano, harpsichord and harp.
In October 2004, James Levine began his very successful term as Music Director of the Boston Symphony. That month also marked the first restoration in over a half a century of the Symphony Hall Organ. On that occasion Brian Bell of WGBH Radio produced the following feature detailing the event. It also includes the first-ever recording of the organ intended for the public.
The day after the world premiere of Elliott Carter's Horn Concerto (which was November 16th, 2007), Elliott Carter and James Levine spoke about the new work by the soon-to-be 99 year old composer with WGBH Radio's Brian Bell. Brian opened the dialogue by asking how this Horn Concerto came about, and James Levine quickly replied.
BSO Principal Horn James Sommerville introduces us to the Horn Concerto of Elliott Carter from the soloists perspective. He spoke with Brian Bell.
The narrative thread of Strauss's An Alpine Symphony (1915) - the ascent and descent of a mountain-fired the composer's imagination for a huge range of wonderful orchestral and compositional effects. Listen in with WGBH's Brian Bell
To open the first Boston Symphony program for 2008, Rafael Frühbeck de Burgos turns to a great showpiece, Mussorgsky's Pictures at an Exhibition. Scored for piano by the composer, BSO Music Director Serge Koussevitzky commissioned Maurice Ravel to orchestrate Pictures, leaving us with one of the great symphonic showpieces of all time. WGBH's Brian Bell provides you with a guided tour through the Exhibition
Here is an introduction by Brian Bell to Mahler's Symphony No. 1, originally prepared for the live Boston Symphony broadcasts on WGBH Radio. Come hear Mahler's Symphony No. 1 with James Levine conducting November 15-20 in Symphony Hall.
Due to the length of the broadcast of November 11th, the interview with violinist Christian Tetzlaff was not broadcast. However, one can hear the interview online. The violinist spoke with WGBH's Brian Bell.
In this audio excerpt taken from an interview with Mstislav Rostropovich in 2002 and Seiji Ozawa in 1996, we learn how the news of Shostakovich's death affected Rostropovich, for whom the Cello Concerto No. 2 was written. Also we learn why Rostropovich and Ozawa made the announcement from Tanglewood that the great composer had passed away. Rostropovich's audio was taken from an interview with NPR's Fred Child in 2002. Seiji Ozawa spoke with WGBH's Brian Bell in 1996.
Marek Janowski has a true affinity for Bruckner, one only needs to listen to his recordings with the National Orchestra of Radio France to hear that. After his first day of rehearsals with the Boston Symphony, Brian Bell asked the BSO guest conductor why Bruckner encounters such resistance with some listeners, and what, if anything, should be done about it.
Marek Janowski explains the pairing of Bruckner's Ninth Symphony on a program with Shostakovich's Cello Concerto No. 2. This interview has been captured by WGBH's Brian Bell.
For many years this Symphony has been listed as the "Symphony No. 5 in C minor". This program listing announces where the Symphony begins, but does little to reveal where Beethoven takes the listener - a journey from struggle to triumph. Brian Bell explains.
This week's conductor Robert Spano (October 11-16) commissioned Michael Gandolfi to write the "original" Garden of Cosmic Speculation and now the expanded work comprises eleven movements. Yesterday Brian Bell asked Robert Spano about this piece.
Robert Spano comments on the Symphony Hall Organ, and Poulenc's Concerto for Organ, Timpani, and Strings with Brian Bell.
Robert Spano has known the Boston Symphony for a long time, longer than any other orchestra he regularly conducts, for he was appointed the BSO Assistant Conductor in 1990. Now he's lucky if his schedule allows him to conduct the ensemble once a year-but he feels a true affinity for the ensemble and its members. Robert Spano was asked to reflect on the Boston Symphony and how he hears it today. |
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